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A reporter enters a museum vault holding possibly the finest collection of late 19th and 20th century masters outside the West. Habibollah Sadeghi looks vaguely irritated to see me: not surprised, seeing as he has spent the last 10 days evading my phone calls, letters and polite appeals delivered through intermediaries. He knows I want to see his Picassos. He doesn't want to show them to me. |
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